“My job was to dance so well that it didn’t matter who favored me or why.”
That’s a line from the compelling new memoir by world-renowned ballerina Joy Womack, “as told to” podcast guest Elizabeth Shockman. Together, in (dare we say it?) balletic prose, the two recount Womack’s storied career as the first American woman to dance under contract for the Bolshoi Ballet Theater in Moscow.
“The dancers beside me were tired, pale after months of clouded winter skies,” they write in Behind the Red Velvet Curtain: An American Ballerina in Russia. “They bent and bowed, their bodies corded with muscle, like sallow stalagmites that had mushroomed off the floor of a cave.”
Womack’s story offers a first-hand glimpse of the cutthroat world of ballet, complete with acts of violence and intrigue, tales of eating disorders and body shaming, and profiles of legendary Bolshoi coaches who encouraged obsessive devotion and imposed their uncompromising standards on their young charges. And yet beneath the ugliness of graft and competition, the author’s love of dance and her appreciation for the place ballet holds in Russian culture fairly leap off the page, as she reflects on the intersection of art and politics and exposes the shadowy underbelly of the world of professional ballet.
First-time collaborator Elizabeth Shockman is a public radio journalist based in Minnesota. Her work has been featured on National Public Radio, Public Radio International, Minnesota Public Radio, and the BBC. She has previously written for Reuters, The Moscow Times, and other publications. She first met Joy Womack on assignment for Reuters in Moscow and spent over a dozen years collaborating with her on this book.
(Yes, Elizabeth agrees, that’s a very long time to work on one project, but as she shares in this episode of As Told To: The Ghostwriting Podcast, it sometimes happens that life and career take center stage, both for an author and her subject, as memoir waits in the wings.)
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