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Mark Growden Conversations with Musicians #conversationswithmusicians #musicianinterview

Mark Growden is a brilliant, curious, and expressive American multi-faceted musician. He’s a multi-instrumentalist, composer, singer, music educator, conductor, and visual artist. In this episode we focus on his large and varied instrument collection and he demonstrates several unusual instruments, including different jaw harps, biclycle handebars, and overtone flutes. He shares his unique journey, and how he developed new skills in response to different challenges and opportunities. I was fascinated to hear about his inspiring recent trip to Kyrgyzstan, about many of his mentors and collaborators, and his expressive approach to musicianship training.  Mark has devoted his life to making music for other people and to helping other people make music for themselves, and he is an advocate for openess about respect and understanding for people with neurodivergence and mood disorders. Mark is the founder and Artistic Director of The Calling All Choir, The Chromatic Community Music Center, SF SingFest, and The SF Jaw Harp Choir. He has released several critically acclaimed albums and has toured the US extensively. He has composed original musical scores for dozens of dance and theater companies and scored several films. We are featuring music from 3 of his albums during this episode and you’ll find his discography linked below.
This is also available on all the podcast platforms, and the transcript is also linked here to my website: https://www.leahroseman.com/episodes/mark-growden

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To support this series, please either buy me a coffee here: https://ko-fi.com/leahroseman
or shop at my merchandise store: https://www.leahroseman.com/beautiful-shirts-and-more
Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter
Catalog of Episodes: https://www.leahroseman.com/about

Timestamps:
(00:00) Intro
(03:16) Kyrgyzstan, Irina Bogatyryova, jaw harp music, Kutman Sultanbekov
(08:25) overtone flutes, bicycle handlebars, selijefloyte
(14:06) jaw harp history and demo
(17:32) jaw harp technique
(21:21)clip from bicycle handlebars improvisation on Mark’s album Saint Judas
(22:02) in-blown flutes, interdental embouchure, Central Asian flutes
(28:23) Mark’s childhood, music Education, bands
(31:24)Orff Schulwerk, Blues
(35:05) New Orleans, writing for choirs, leading Community Sings
(42:36) Mark’s early music education
(46:53) Driving into the Sunrise, from In Velvet with the New Orleans Heavies and Mark Growden
(50:20) other episodes you may like and different ways to support this series
(51:07) Juggling, busking, bands, digeridoo, studying art, jazz
(53:04) Kodaly method
(55:11) Mark’s approach to teaching musicianship, hearing intervals according to function
(59:11) how Mark got into singing and choral direction, claw hammer banjo, album Lose me in the sand
(01:04:26) Shady Grove from Lose me in the sand
(01:08:53) move to Portland, show for the Getty museum Edyth Eyde
(01:16:15) Aron Szilagyi jaw harp festival World Vibes Hungary
(01:17:53) bass jaw harp demo
(01:19:06) Lithuanian psaltery tuned in whole tones, Veljo Tormis Tabu, kankles psaltery
(01:22:07) video music art new projects
(01:25:47) mentors Vance George, Alice Parker, Michael Kaulkin
(01:31:50) living and creating with bipolar type 2 and ADHD

I am a violinist and podcaster. This interview series features a really interesting mix of musicians, talking about their lives and careers, with perspectives on overcoming challenges, and finding inspiration and connection through a life so enriched by music. It is available as a video, podcast, and I am publishing the transcripts to my blog, all linked.

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