Welcome back to When Words Fail, Music Speaks, the podcast that explores how music can lift us out of the darkness and into hope. I’m your host, James Cox, a lifelong fan‑turned‑handicapped host who’s learned to lean on riffs, verses, and relentless head‑banging whenever life gets heavy.
In today’s episode we sit down with none other than Jack Owen, the lead guitarist behind Six Feet Under and a longtime contributor to Cannibal Corpse. Jack walks us through everything from the day‑to‑day grind of living with Depression to why his doctor says he can drink all the coffee he wants. We dig into the nitty‑gritty of royalty disputes—remember the DSI arranging‑credit debacle?—and the importance of getting proper credit, especially in a genre that’s notorious for keeping the spotlight on the front‑man.
Jack also shares his evolution from six‑string to seven‑string guitars, the challenges of muting low D notes, and how that extra string opened up a whole new low‑end for Cannibal Corpse’s brutal sound. We get an inside look at the making of the “Mr. Blood and Guts” video—its silent‑film, 1930s‑style horror vibe, and the campy “Phantom of the Opera” storyline that inspired the lyrics.
The conversation then shifts to songwriting. Jack explains how he still leans on classic verse‑chorus‑bridge structures, how he transforms fast riffs into crushing breakdowns, and why harmonic minor has become his go‑to scale to give those “evil” pentatonic flavors. We also hear his thoughts on Legacy—seeing newer bands borrow Cannibal‑style pull‑offs, the honor (and occasional cringe) of inspiring the next generation, and the ever‑changing landscape of metal media from glossy magazines to today’s digital hustle.
Finally, we touch on life on the road in 2026: touring logistics, the struggle with promoters who pay you in pasta, the simple joy of wandering a new city after a show, and the plan to meet up at the upcoming Chapel of Bones gig in July.
Grab your headphones, crank the volume, and get ready for a candid, riff‑filled deep‑dive with one of death metal’s most underrated architects. When words fail, Jack’s guitars—and his stories—let the music speak.
