Audio Dramas and Accessibility: A Conversation with Micah Thomas – Part 1
- Audio Dramas and Accessibility: A Conversation with Micah Thomas - Part 1 Jodi Krangle 25:17
“Early on in that we noticed that there are so many people in the blind and visually impaired community that are underrepresented in the respect of Entertainment, both as an entertainer and as the consumer. The only products they have are descriptive videos on Netflix or something like that. And so they can’t get the exact same experience as the sighted world when they’re dealing with forms of entertainment. So we shifted our focus to the blind and visually impaired market, both as people who could assist us in making these audio dramas, our stories, more original, as well as sound-designing these things in a 360-degree or surround sound way so that those whose world is nothing but sound, they really could enjoy it in a way that was meant just for them.” — Micah Thomas
This episode’s guest is a twenty-plus year content creator, armed with a Master’s Degree in Internet Marketing and a BA in Media Communications who’s found the right content to pour his energy into…sound. This father of six and husband of one has worked as a jack-of-all-trades in media but has become a master of audio and storytelling with his company Storymore. As a person with low vision, he has a passion for telling great stories in the best way he can, which led him to form a global group that’s disrupting the audio entertainment industry with its accomplishments. Chief among them is providing a platform that equalizes the playing field for those with visual disabilities.
His name is Micah Thomas, and our discussion covers a variety of topics, from audio dramas and music to how AI is changing both those industries. I think you’ll really enjoy his insights!
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(0:00:00) – The Power of Audio Entertainment
We start things off with a trip down memory lane as Micah recalls the radio plays and adaptations that helped inspire his career in sound. “The stories captivated me,” he tells us, “because of the voice actors and how real they sounded, and I think that’s the first time via audio that it actually brought tears to my eyes.” We talk about how Storymore uses sound production to bring stories to life for blind and visually impaired listeners, and we listen to a clip from the Storymore original suspense tale Barley. “We had one guy that said the sound was so good,” he says, “that ‘I had to literally turn my head. I thought someone was entering the room because I heard a door open behind me.’”
(0:12:47) – AI Impact on Audio Entertainment
The conversation turns to AI and how it’s opening up new creative possibilities while leaving room for a human touch at Storymore, and Micah shares with us both the cover art and a sound clip of the Storymore original mystery Alibi. “There’s just no way,” Micah explains, “at this point in time, especially, that AI can reach the levels and depths of emotion and her mental state that she’s in to provide this type of performance.” We also discuss the difference between audible dramas and traditional audiobooks, and the storytelling power of sound. “It allows you the opportunity to point your own cameras,” he tells us, “to make your own movie in your own head with your vivid imagination. Our sound and our voice acting team just provides the fuel.”
Episode Summary
- How classic radio helped inspire Micah and the audio Technology behind Storymore.
- AI’s role in sound production and what sets audible storytelling apart as a genre.
Tune in for part two of my conversation with Micah as we talk about Storymore’s unconventional approach to scoring music, what he learned from classic cinema about the dramatic power of sound, and how the pandemic helped pave the way toward a new appreciation for voiceover.
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